544

Virtual Production in an LED Volume

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Week Zero

Art Adams Explains Lens Design Light Meters Measuring Light Color Correction Tutorial Arri Frameline Composer

The Way Back Cinematographers Prep HD Monitor Calibration Brainstorming Spectra Student Discount Sekonic Student Discount

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Week 1

On Cinematography Digital Data Calculator Location Scouting Lighting Basics Camera Report Floor Plan Storyboard

HD Camera Expendables Electrical Ditty Bag Grip Ditty Bag Electricity 101 Understanding Time Code Watching You Watch – There Will Be Blood

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Week 2

Communication Shooting Challenges Basic Electrical Wiring

Knots Setting a 6×6 Care and Staging Equipment

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Week 3 –

*Read this with a grain of salt. Good information is interspersed with too much marketing.

QS-VirtuallyPerfect-Ebook-1 QS-VirtuallyPerfect-Ebook-2

QS-VirtuallyPerfect-Ebook-3 QS-VirtuallyPerfect-Ebook-4

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Week 4

• Selected Scenes

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Week 5

Digital Color Grading 20 Principles of Success Gordon Willis

On Criticism Vittorio Storaro 2017 Cinematographer’s Roundtable

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Week 6

Future Of Pixels Digital Images-LED

Physical Limits in Digital Photography 1 Physical Limits in Digital Photography 2

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Week 7

Archiving Digital Movies Film Really? Film Camera Tests

Directors & DPs Why Culture isn’t Free Film Aesthetic Tests

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Week 8

Joy of Celluloid Future Shock Kodak_Essential_Reference_Guide

The Digital Dilemma Cinematography Recommended Titles Red Raw to Prores DaVinci Tutorial

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2019_Camera Comparison Chart

fletcher-2016-anamorphic-prime-lens-chart

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Week 10

Science of Flatness Arri Signature Primes Arri Signature Zooms Sony Cinema Red

Atlas Lens Co. Anamorphics Vantage Hawk Lenses Panavision Black Magic Panasonic

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